I am a man of obsessions. Of subtle sly passions that grip me for longer than I ever believe they could, passions I do not realise are there still until many years later they quietly leave me. You’d think I’d have learnt by now. You’d have thought.
There is a fragile memory in me that if anything is than this is the only example of sudden and instantaneous love. A love, not a lust, for it endured and would not die or wither or fade and only quietly, in its own unforgiving time would it leave me. And because everything of any worth to me empties itself into words I wrote that moment down. Two poems. The second penned is the only one of mine that I remember people calling my best work, something different and light and beautiful. I called it ‘Intermezzo’ because that was what it was. I still don’t know what I meant by that. And lying there in black and white are words that state a recognition that this could never be. ‘…the feeling of a hand/before it all/before it…’ Crisp snow, a giving, an opening, gentle teethmarks, a bloom in darkness. ‘What was that?’ ‘It was what it was.’ It took until perhaps only a month or two ago before I stopped loving ‘The flutter of your eyelash/silverscreendreamer’. That memory is from September 2008.
If you figure this out silverscreendreamer then I don’t mind. I don’t fear you asking me about it, I don’t worry it will frighten you because something tells me you’ll understand if be perhaps a little bit surprised. I no longer love you. I still respect you and treasure you existence as a pearl of this universe but I do not love you as I did.
And now it comes again. That same sly kind of love. Another night. Another memory.
‘Intermezzo’ is adored elsewhere but the other poem, the first, has always captured that memory of her better. It never gained a title, but then perhaps it didn’t need one. And so I ask again –
…are you?
the warmth returning
giving life
in from the cold
are you?
only
the darkness of closed eyes
writhing in the
two heart beats
in from the cold